Gallery opens its doors to George Art

Saturday 15th April 2000
Ebony the Hamster reports on the new exhibition at the Washington National Portrait Gallery

You have to remember the importance of George the Hamster in his own time and age - not many people do. He was the first hamster, as far as we know today, who was so bold as to attempt to communicate with humans and who started off this entire preoccupation that rodent owners the world over now have with their pets and rodent/human relations.

Indeed, if it hadn't been for George and his much publicized and distributed series of short stories, I guess that the Rodent Weekly would never have made the impacts into modern day society that it has done and the popularity of the Hamster Presidential Campaign would have been much reduced.

Yes, George the hamster has a lot to answer for.

What many of the world's readership aren't aware of, however, is that George's first stories began life as small booklets, printed up at a local school and bound together for free distribution to the entire friends and family circle of his owners, Lee and Kath Smith, who allowed him free course to research into hamster history but who, in the first few weeks, were willing to be used to commit the stories to writing before he learnt how to use the word processor - and age which preceded the development of modern day hamsterglyphics.

Those booklets, now saved for posterity in the National History Museum in the UK, are mere copies of original documents long thought to have been destroyed in a fire which swept through much of east England during the mid-years of the nineties. However, many of the original drawings, produced solely for inclusion in the booklets, have seen the light of day due to a 'Spring Clean' by George's owners, who discovered the originals in an old photocopy box stuffed away in their attic.

Now on loan to the Washington National Portrait Gallery, the pictures represent an early phase in George's artistic gifts and are mainly in the form of sketches and portraits of rodents who sat for him during those sessions when the booklets were being formulated.

Although these drawings would easily fetch five figure sums of sunflower seeds were they put onto the open market, Lee and Kath have graciously lent them to the Gallery for the entire month of May and visitors can see, at no charge, the dexterity with which the early works of George were put together.

Regular readers of the Rodent Weekly will be treated to free guided tours of the exhibits and membership cards should be produced on entry to the large grey rat who will be found sitting just behind the toilet facilities on the Ground Floor level. Due to the anticipated popularity of the exhibits, it's thought that there may be a delay upwards of thirty minutes before a guide will be available on some days, but visiting rodents can make themselves useful by running on the large volume of exercise wheels linked into the Gallery's main electricity supply.

The reproductions of sketches in this article appear courtesy of Lee and Kath Smith and by kind permission of the Gallery to use their photographic record.

Ebony the Hamster writes for the Rodent Weekly.
This article appears courtesy of that paper.




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